Training
For performers who want clarity in action
The training I offer is both physical and imaginative. It builds solid improvisation skills through regular practice, attention and clear choices.
The work does not rely on formats, games or constant external stimulation. Instead, it develops your ability to see what you are doing and act from there.
Group work and guidance exist, but the foundation is individual: what you train, repeat and refine through practice.
How the work is approached
The work starts from the body.
First as a way of knowing where you are. Then as expression.
Attention is trained deliberately: noticing what you do, how it reads, and when you slip.
You learn to slow down enough to act clearly, and to stay with what you choose long enough for it to matter.
Repetition is essential to sharpen perception over time.
Forms of training
Training on your own
The core of the work is trained individually.
This is where precision and real change happen.
The online training provides a clear structure you can work with in your own space, at your own rhythm. The guidance is precise, but the work itself is physical, attentive and done alone.
This form of training allows you to return to the same material over time, see it differently, and let it deepen as your practice evolves.
Workshops
Workshops offer a focused training environment over a limited period of time.
They are hosted by organisations or groups who want to create a concentrated space for practice. Group work brings other aspects of the work into play, especially timing, awareness of others, and how actions land.
Workshops complement individual training, but do not replace it.
1:1 mentoring
Individual mentoring is available once a shared foundation is in place.
This work is practical and hands-on. It focuses on refining how you work, how you see, and how you choose — not on discovering new material for its own sake.
Mentoring is used sparingly, when an outside eye helps clarify what is already there.
Who this training is for
This training is for performers who already have some experience and want to work more precisely.
It’s for those who are not satisfied with repeating what they already know, and who are willing to slow down enough to see what they are actually doing.
You don’t need to identify as an improviser to do this work, but you do need the desire to practise, to question habits, and to let your work change over time.
Impro Supreme
Impro Supreme is the framework through which this training is developed and continued.
It is where the method is articulated, the material is structured, and long-term training takes place. The work evolves there through practice, teaching and ongoing research.
If you want to engage with the training in depth, that is where it lives.