Training

For performers who want clarity in action

The training is physical and imaginative. It builds real improvisation skill through regular practice, attention and clear choices.

I do not rely on games and constant external stimulation. You learn to see – and feel – what you are doing and act from there.

Group work and guidance exist, but the foundation is individual: what you train, repeat and refine.

How it works

The training starts from the body. First as a way of knowing where you are, then as expression.

You train attention: noticing what you do, how it reads, and when you slip.

You learn to slow down enough to act clearly, and to stay with what you choose long enough for it to matter.

Repetition sharpens perception.


Forms of training

Training on your own

The core of the training is individual. This is where the refinement happens – when you are facing yourself.

The online training gives you a clear structure to work with in your own space and rhythm. The guidance is precise; the work itself is physical, attentive and done alone.

You return to the same material over time and see it differently.

→ Explore online training

Workshops

A workshop is a few hours or days of concentrated training, hosted by an organisation or group.

Group work adds what you can’t train alone: timing, awareness of others, and how actions land.

Workshops complement individual training, but do not replace it.

→ View workshops

1:1 mentoring

Individual mentoring is available once a shared foundation is in place.

This is practical, hands-on work that refines how you play, how you see, and how you choose. New material is a bonus, but it’s not the point.

Mentoring is used sparingly, when an outside eye helps clarify what is already there.

→ 1:1 mentoring


Who this training is for

This training is for performers who already have some experience and want to work with more precision.

It’s for those not satisfied with repeating what they already know – and are ready to slow down enough to see what they’re actually doing.

You don’t need to call yourself an improviser. What you need is the willingness to practise, to question your habits, and to let yourself change over time.


Impro Supreme

Impro Supreme is the framework for this training.

It’s where the method is built, the material structured, and the deeper work happens – through practice, teaching and continued research.

If you want to go further, start there.

→ Visit Impro Supreme


This work also goes into organisations. Corporate training →